It takes time to understand what Ek Deewane Ki Deewaniyat wants to say. Then it becomes clear — it exists for short clips, not storytelling. Every scene feels designed for heartbroken fans to share online.

This Diwali, Deewaniyat clashed with Thamma, a horror-comedy. Ironically, Deewaniyat delivers the real horror — not the intended romance.

A Weak and Unrealistic Story

Milap Milan Zaveri directs this romantic drama. It follows Vikramaditya Bhonsle (Harshvardhan Rane), a politician who falls for Adaa (Sonam Bajwa), a famous actor. He decides to marry her no matter what. The story mixes Tere Naam and Raanjhanaa but without their heart or logic.

Adaa rejects him. Her career collapses, and her personal life falls apart. Yet the film calls this “passionate love.” From the start, it looks fake. Adaa, a top actress, lives in a small house without security. When her servant takes a day off, she does her own chores. No real superstar would live like that.

Meanwhile, a high-profile politician roams around with one bodyguard. The film ignores basic realism.

The Writing Falls Apart

Writers Mushtaq Sheikh and Zaveri push logic aside. In the second half, Adaa publicly promises to sleep with anyone who kills Vikram. That’s the turning point — and it’s absurd.

The first half shows Harshvardhan walking in slow motion, while Sonam keeps the same dull expression. The film mistakes obsession for love. The second half repeats scenes and drags endlessly.

Weak Acting and Loud Music

Harshvardhan Rane tries hard but fails to connect. His role lacks depth. Sonam Bajwa gives a decent effort but cannot save a weak script. The film needs an actor like Manoj Bajpayee to make it believable.

The music, composed by Kaushik-Guddu, Kunaal Vermaa, Rajat Nagpal, Rahul Mishra, and DH Chetas, has a few good songs. But there are too many of them. The background score is so loud it kills the mood.

Ek Deewane Ki Deewaniyat confuses madness with passion. It replaces emotion with noise and logic with drama. The movie aims for social media fame, not real storytelling. Skip it if you’re looking for genuine romance or sensible cinema.